Mockumentary of a contemporary saviour
Science fiction is not predictive. It is descriptive…
I talk about the gods, I am an atheist. But I am an artist too, and therefore a liar.
Distrust everything I say. I am telling the truth.
Introduction in The Left Hand of Darkness by Ursula K. Le Guin
We are in the distant future. A turning point in the history of mankind has been reached. A devastating force is engaged in utterly destroying all life on earth. With the aid of a child, a few people have nonetheless succeeded in reaching a place of safety. But life in this safe room is far from easy. The survivors, being human, are constantly at odds with one another. On top of all this is the fact that the chosen ones cannot escape life. Immortality prevails, and suicide doesn’t offer any way out.
The ambiguous relationship with the child in the outside world, internal conflicts, cultural differences and the urges and instincts characteristic of humanity make it a time of uninterrupted commotion. The desire to surrender to the all-destroying forces of the outside world is always lurking. Is mankind actually worth saving?
In the theatre and dance performance Mockumentary of a Contemporary Saviour, Wim Vandekeybus, through the medium of seven characters, presents an incisive portrait of a messiah as an imaginary figure. Utopia and dystopia at a single glance. Nothing is what it seems in this futuristic reality.
2017-05-26 00:00:00 2017-05-29 00:00:00 - Divadlo Archa, Prague - Czech Republic
2017-06-01 00:00:00 2017-06-04 00:00:00 - 104 cent quatre, Paris - France
2017-05-14 00:00:00 2017-05-14 00:00:00 - Dance 2017 Munchen, Munich - Germany
2017-05-05 00:00:00 - Cultuur Centrum, Brugge - Belgium
2017-05-03 00:00:00 - CCHA, Hasselt - Belgium
2017-04-26 00:00:00 2017-04-29 00:00:00 - STUK, Louvain - Belgium
2017-04-14 00:00:00 2017-04-22 00:00:00 - KVS. Brussels, Brussels - Belgium
DIRECTION, CHOREOGRAPHY Wim Vandekeybus
CREATED WITH AND PERFORMED BY Anabel Lopez, Maria Kolegova, Yun Liu, Daniel Copeland, Saïd Gharbi, Jason Quarles, Flavio D’ Andrea
TEXT Bart Meuleman & Ultima Vez
ARTISTIC ASSISTANT Jerry Killick
DRAMATURGY Aïda Gabriëls
SCENOGRAPHY Wim Vandekeybus, Meryem Bayram
SOUND DESIGN Charo Calvo
DESIGN OF IRCAM COMPUTER MUSIC Manuel Poletti
LIGHTING DESIGN Davy Deschepper, Wim Vandekeybus
COSTUME DESIGN Isabelle Lhoas ASSISTED BY Isabelle De Cannière
TECHNICAL COORDINATION Davy Deschepper
SOUND ENGINEER Bram Moriau
STAGE MANAGER Tom de With
PRODUCER Ultima Vez
CO-PRODUCERS KVS (Brussels), deSingel (Antwerp), Ircam-Centre Pompidou (Paris)